2026



CARBON, INK, & ASH:
GROUP EXHIBITION
APRIL 18 - MAY 18
An electric gathering of artists return to the blueprint of all things...drawing.
Stripped of excess, bound only to the raw tools that form the skeleton of visual art. Burnt sticks, compressed matter, liquid black. Nothing fancy. Everything essential.
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With carbon, ink, and ash, these extraordinary hands move between impulse and devotion, some marks struck in a single breath, others built patiently, line by line, until the image stands whole and final. Elegance emerges. Ferocity remains. Imagination runs uncaged.
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To draw is to flourish in the bones of existence.
To make something immortal with nothing but impulse and pressure.
To shape entire worlds with the simplest of means.
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Welcome to Carbon, Ink, and Ash
our drawing exhibition.
GREG BENNETT & PETE QUARRACINO:
WHAT THE TIDE TAKES
MAY 30 - June 22
What the Tide Takes considers water as force and memory. The element that shapes, erodes, and endures. It alters the land, and it alters us.
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In this exhibition, Greg Bennett and Peter Quarracino explore the shifting margin between sea and shore. Through refined oil paintings, they render water not merely as subject, but as a vast, deliberate, and transformative presence.
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These works invite quiet reflection on what the tide removes, and to stand before what remains.
MEGAN WHITFIELD:
VEILS OF WATER AND SKY
JUNE 27 - JULY 27
In Veils of Water and Sky, Megan Whitfield presents a compelling collection of tonalist paintings that explore the ever-changing character of the coastal landscape. From quiet marshes and sheltered harbors to turbulent seas and blazing horizons, Whitfield captures the atmosphere, rhythm, and power of the natural world with remarkable sensitivity.
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Working within a restrained yet luminous palette, she builds her compositions through subtle shifts of light, softened edges, and masterful tonal relationships. Snow-covered marshes glow beneath winter skies. Boats strain against wind and tide. Sunrises ignite the horizon in fleeting bursts of brilliance. Elsewhere, calm waters and distant shorelines dissolve into passages of mist and atmosphere.
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What emerges is a body of work that balances serenity with force, stillness with movement. Whitfield's paintings are not merely depictions of place, but meditations on the elemental relationship between earth, sea, and sky. Each canvas invites the viewer into a moment suspended in time, where changing weather, shifting light, and the pull of the tide become something both deeply familiar and quietly transcendent.
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Veils of Water and Sky is a celebration of the coastal landscape in all its moods, its beauty, its drama, and its enduring capacity to inspire wonder.
VICTOR GRASSO:
THE SEA HAS TEETH
AUGUST 1 - SEPTEMBER 8
The sea has always told stories. Stories of monsters, myths, impossible trials, and ancient legends. In The Sea Has Teeth, Victor Grasso draws from that rich tradition, charting a mythic course through five historic lighthouses of the Delaware Bay, each standing against its own leviathan.
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Blending maritime history with folklore, Grasso transforms the bay's iconic beacons into gateways between reality and imagination. Rendered entirely in watercolor, these paintings bring astonishing realism to dragons and sea beasts that lurk just beyond the light, where the known world surrenders to mystery.
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Inspired by the enduring legacy of the Delaware Bay and the legends that have haunted sailors for centuries, The Sea Has Teeth invites viewers to embark on an unforgettable voyage into myth, history, and the untamed sea.
PHIL COURTNEY:
BEYOND THE MOMENT
SEPTEMBER 19 - OCTOBER 12
Phil Courtney moves quietly through the world, observing, collecting, and reimagining. With a dry sense of humor and an eye for the beautifully peculiar, he transforms everyday encounters into paintings that feel at once familiar and wonderfully unexpected.
In his newest body of work, Courtney expands beyond the atmospheric coastal scenes for which he is known, revealing a more playful and distinctly personal vision. Mammoth flower portraits emerge in gentle, luminous realism, their fragile beauty magnified to monumental scale. Wetsuit-clad surfers stand stoically in Beatlesque formation, an affectionate and deadpan nod to Help! Classical sculpture collides with seaside life as enormous antiquated figures appear lodged in the sand, frozen like monuments while waves recede and beachgoers carry on around them.
There is humor in these strange encounters, but also something deeper. Courtney continually plays with scale, time, beauty, and our relationship with the natural world. His flowers become portraits in their own right, capturing growth and beauty while quietly acknowledging their impermanence. His figurative works carry that same tenderness, rendered in soft light with an intimate, loving hand.
Throughout it all is Courtney himself: the quiet observer wandering through town, noticing what others might pass by and storing away fragments of life until they find their way onto canvas. Classicism meets surf culture, monumentality meets fragility, and the ordinary slips effortlessly into the surreal. In Courtney’s world, beauty is everywhere, humor is never far behind, and the familiar is always capable of becoming something wonderfully strange.




